Kristen at the ‘Billy Lynn’s Long Halftime Walk’ Press Conference at NYFF : Oct 15,2016

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Vin Diesel โพสต์รูปนี้ใน  Facebook ของเขา

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Photos of Kristen Leaving / Arriving Hotel for “Personal Shopper” Press Con’ : Oct 06,2016

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รูปของ Kristen กลับจากงาน Personal Shopper” Press Conference : Oct 06,2016

ถึงโรงแรมที่พัก  The Bowery , NYC

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Kristen attends “Personal Shopper” Press Conference NYFF : Oct 06,2016

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Kristen และ ผู้กำกับ Olivier Assayas ไปร่วมงานแถลงข่าว “Personal Shopper”

จัดขึ้นที่ Walter Reade Theater , NYC : Oct 06,2016

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Kristen attends “Certain Women” Press Conference at NYFF : Oct 03, 2016

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New York Film Festival Selection Committee Chairman Kent Jones

with CERTAIN WOMEN director Kelly Reichardt

and cast members, Kristen Stewart, Laura Dern and Lily Gladstone,

at the press conference at Walter Reade Theater, NYC.
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Film Society of Lincoln Center

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Kristen สวมแจคเก็ตของ 3.1 Phillip Lim เสื้อยืดขาว และ ขาสั้นของ CHANEL

Loafers สีขาว และ แดงเบอร์กันดี ของ CHANEL

Makeup : Beau Nelson , Stylist : Tara Swennen

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Quotes of Kristen from “Certain Women” Press Conference NYFF : Oct 03,2016

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Quotes ของ Kristen จากงาน Certain Women Press Conference : Oct 03,2016

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Looking sensational with her punk peroxide haircut and micro mini, Kristen Stewart, was the center of attention Monday afternoon at the press conference for Kelly Reichardt’s new film, “Certain Women,” screening at the New York Film Festival. The film features an ensemble of terrific female actors, including Laura Dern, Michelle Williams and Lily Gladstone. The director and female stars (with the exception of Williams) participated in the 30-minute Q&A following the press screening.

Stewart has three films in the NYFF, including Ang Lee’s “Billy Lynn’s Long Halftime Walk” and Olivier Assayas’ “Personal Shopper.” And the 26-year old actress will be honored at a special event Wednesday evening for patrons of The Film Society of Lincoln Center with tickets still available to patrons for $500.

“Certain Women” with its strong female ensemble cast looks at three flawed but strong-willed women whose lives don’t intersect but somehow connect. Based on short stories by Maile Meloy and set in a small Montana town with a populations of about 7,000, the director told journalists what intrigued her was that, “It was a new landscape to investigate and all the characters were really part of the environment they were in and so it seemed like an endeavor with all these great women characters that were sort of alienated from the people who were closest to them but somehow making connections to people who were strangers.”

There are lots of quiet moments and pauses and focus on everyday moments, elements Stewart said she appreciated about Reichardt’s work.

“The thing I really dig (about Kelly’s movies) is that it takes forever. ‘What’s the most important part? Like show me the moment where something happens?’ And that’s what we’re used to seeing in movies. Look at the stuff that goes on in between stuff, like getting to and fro and stuff like that,” said the actress.

“It’s really vulnerable to not play something. All of a sudden you start reviewing things rather than displaying them. That’s what I love about her movies!”

Stewart spoke about some of the beautiful shots taken at the ranch with her character’s story arc.

“It’s so stunningly beautiful. The character who lives in this environment, it says so much about her because I appreciate physical beauty but not like somebody that lives in Montana and runs a fucking a ranch and wants to really give themselves completely to this in a way that’s really mystical and kind of totally beyond me That shot for me totally functions as — it’s so character defining for her. She wakes up there every morning and that’s what she loves and it’s so beautiful. There’s a reverence to it that’s immediately contagious.”

A journalist asked Stewart what roles most attracted her?

“Good stuff, you know! I typically don’t have to spend more than five minutes in a room with someone to know if I want to explore something with them and I’m just kind of navigating,” Stewart said. “I’ve worked recently with a lot of people I’ve grown up really loving. This is a great thing. I feel super lucky and it’s super conducive to making like good shit and because I think I have good taste,” she laughed “Also At the same time like I really love not like not knowing that something’s going to be good and spending a few minutes with someone and going, ‘Shit you’ve never done this before?’ Well let’s do it now. So there’s no like formula. That’s so not how you’re ever gonna make anything worthwhile. It’s like, yeah I’m really not precious about it. I’ve just gotten super lucky lately, yeah.”

Are the recent movies she’s made more satisfying that Hollywood movies someone asked?

“Totally the same thing. I would never draw attention to the distinction between doing a big movie and a small one because then you’re like, ‘Cool. Why are you doing it? That’s weird,” said Stewart. “I guess you could technically draw distinctions because you have more money to play with,” she said. “Naturally it affects the dynamic a little but at the end of the day, I’ve never approached anything going, ‘Oh, well this is bigger now therefore I’m like less entitled to something meaningful or something.’ That’s what you’d think. But it’s totally not true even if the result of it makes you think it. We were trying.”

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Source : Showbizz411

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Photos of Kristen Leaving / Arriving Hotel for “Certain Women” Press Con’ : Oct 03,2016

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รูปของ Kristen , HBG , CeeJ , Ruth , Kylee Heath & Beau Nelson

เดินทางไป – กลับ โรงแรม The Bowery จากงาน “Certain Women” Press Conference

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“Personal Shopper” Cannes Press Conference : May 17,2016

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Brussels @  20:40  CET

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@filmWard : “Her smile lights up the room. So natural and sophisticated at the same time.

รอยยิ้มของเธอทำให้ทุกอย่างสว่างไสว เป็นธรรมชาติและ ดูหรูดูดีและ ช่ำชองในเวลาเดียวกัน”

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“Cafe Society” 2016 Cannes Press Conference : May 11,2016

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Interviews of Kristen & Nicholas Hoult with IndieWire / Variety #Venezia72

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VENICE – Entering their Venice press conference to cheers from a rump of fans, Kristen Stewart and Nicholas Hoult talked about love, film choices and director Drake Doremus’ direction of actors in Venice competition player “Equals.”

Some critics at Venice characterized “Equals” as a  date movie for the artier inclined teen crowd; one of the film’s attractions is the easy intimacy shown between Stewart and Hoult’s characters as they connect with their feelings and each other in a futuristic world that has eradicated emotions.

Stewart and Hoult play Switched On Syndrome sufferers who begin to have feelings, then fall for each other.

“Equals” is “basically about two kids who love each other when they’re not supposed to,” Stewart said. “One thing we talked about endlessly was: Do we still exist if love does’t exist, could we live without it. Probably not. If you don’t have passions, maybe not for another person, but passion, curiosity: That’s what keeps us going,”

How did the actors achieve a sense of intimacy in their love scenes? Stewart said she and Hoult would sit in front of each other for an hour saying “Hello.”

Hoult said that Doremus and his regular cinematographer John Gulesarian shot such long takes that he wasn’t always certain what the camera was focusing on. Doremus concurred: “When you have beautiful faces, you want to point the camera to them as much as possible. John was the only guy in there moving the camera around. There was no ‘Let’s get this shot, or that shot.’ It was letting the camera take us where it needed to go.”

“Equals” is a step-up in scale for Doremus, he said, and a step-down for Stewart and Hoult in budgetary terms, a journalist pointed out.

For Stewart, that was by-the-by: “I’m invested in all the projects. I don’t do the ‘one for them, one for me’ thing. If you step outside yourself and start tactically maneuvering your career… it just doesn’t make sense whatsoever. What we do requires … requires your heart to be so in it that every time I agree to do a movie I’m shocked and terrified.”

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Source : Variety

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AP Interview : Kristen Stewart, Nicholas Hoult get emotional in ‘Equals’

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VENICE, Italy (AP) — The movie business: What’s love got to do with it? For director Drake Doremus, everything.

The American filmmaker behind troubled-love stories “Like Crazy” and “Breathe In” is back with “Equals,” a science-fiction romance that puts Kristen Stewart and Nicholas Hoult into a future society where emotions — messy, disruptive things — have been genetically suppressed for the good of humanity.

Their characters, Nia and Silas, develop feelings which blossom into a secret love that shakes their identities and endangers their lives.

Doremus — a self-declared romantic — says the film grew from wanting to explore “a world where love is not essential to human beings … and whether love will always find a way or whether it won’t.”

Cynically finding my way to hope, really,” the director said Saturday at the Venice Film Festival, where “Equals” is one of 21 films competing for the top Golden Lion prize.

Stewart shares her director’s passion for feelings, and thinks the film’s anti-emotional society isn’t too far from our own.

“There are aspects of our world that are entirely subdued,” Stewart said during an interview a few hours before the film’s red-carpet world premiere. “Why can’t we be a little f—— crazy some of the time? Why can’t we just feel unabashedly?

“Even if you’re a little bit crazy, even if you make mistakes, OK, fine — at least you’re living.”

Even so, Stewart acknowledges making this film was “daunting.” She and Hoult are onscreen much of the time, often in close-up, and must bare their emotions with subtle conviction.

“I was really scared of it,” she said. The story “was so simple and so basic that it could have been absolute trite, messy nothing — or it could be everything. It could be the most moving emotional experience.”

“Equals” has a screenplay by Nathan Parker — who also wrote low-budget lunar hit “Moon” — and is the first film Doremus has shot from a finished script rather than developed through improvisation.

He rehearsed the actors for a week before filming, an experience Hoult said he found liberating.

“Often in a script you’ll see (that) your character cries,” the actor said. “And you turn up on the set that day and you think, everyone knows I’m meant to cry now. And it’s suddenly so much pressure.”

“Drake doesn’t do any of those things. He’s like, just be — and be vulnerable and honest.”

The result is a sleek, subdued film that won praise from some viewers in Venice but left others cold.

Most agreed that both the leads and the landscape look gorgeous. The film was shot largely in Japan, using the minimalist modern buildings of architect Tadao Ando as a backdrop. The effect is dystopia crossed with Dwell magazine.

“It was so functional and beautiful, but so stifling,” Stewart said of the architecture. “You’re like, ‘It’s gorgeous. I just want to stare at everything, yet I want to run away from it.’”

Despite its future setting, the movie’s tale of forbidden young love is as old as time, and the film shares plot points with Shakespeare’s “Romeo and Juliet.” Like that play, “Equals” seems likely to appeal to the young, especially given the big teen fan bases of Stewart and Hoult.

Both are now 25, with years of fame behind them. Stewart began starring in the “Twilight” films as a teenager, while Hoult has been in the spotlight since he was the awkward child hero of 2002′s “About a Boy.”

Both have thrived by going in unexpected directions, making smaller art-house films alongside more mainstream fare.

“I think that’s the trick — for people to not quite know what’s going to happen next,” said Hoult, recently seen in the much scruffier sci-fi world of “Mad Max: Fury Road.”

“I so lead with my gut that there’s never anything too tactical,” added Stewart. “I’m never tactically maneuvering my career.”

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Source : AP

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