Director Kristen’s Cannes ‘Come Swim’ Portraits for THR now Untagged

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Portraits ของผู้กำกับ Kristen Stewart สำหรับ The Hollywood Reporter จาก Cannes 2017

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ย้อนไปชมรูปทั้งหมดที่เคยโพสต์มาแล้ว HERE
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Director Kristen on the cover of ‘IO Donna’ Magazine Italy + Interview : June 24,2017

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ผู้กำกับ Kristen ขึ้นปกนิตยสาร IO Donna Italy ฉบับ June 24,2017

พร้อมกับสัมภาษณ์ เกี่ยวกับ “Come Swim”

“I Control everything, but I understand the importance of letting go.” : Kristen Stewart

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More Kristen’s Cannes ‘Come Swim’ Portraits (Tagged)

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More (Tagged) Cannes ‘Come Swim’ Portraits of Kristen for THR

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Cannes 2017 Portrait of Kristen Stewart for Madame Figaro Fr.

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Cannes Portraits ของ Kristen สำหรับ CHANEL &  Madame Figaro โดยช่างภาพ Damon Baker

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“Cool and Talented #KristenStewart

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‘Come Swim’ Interview of Kristen with Ann Thompson #Cannes2017

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BTS Photo of Director Kristen Stewart & Producer David Ethan Shapiro.

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Ann Thompson จาก Indie Wire  สัมภาษณ์ ผู้กำกับ Kristen Stewart เรื่อง Come Swim ที่ Cannes 2017

The star supports more women behind the camera in Hollywood, and looks forward to more directing.

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Kristen Stewart Is Now a Director, and Speaks For Herself: ‘Ask Me Anything!’ 

The actress made her fourth trek to Cannes with her directing debut, short “Come Swim.”

She wants to do it again.

When Kristen Stewart goes to Cannes, she’s usually promoting a movie directed by someone else — like Olivier Assayas’ “Personal Shopper,” which debuted on the Riviera last year. The actress’s Cannes anxiety usually derives from wanting to represent her director correctly, to get out the right message. But this year’s different.

“I’m not working for anyone but myself,” she says, beaming. “Ask me anything!”

Stewart came to Cannes this year as the director of her first short, the 17-minute “Come Swim.” She and her producers at Starlight Studios pitched the film to women’s website Refinery29, which also backed her chum Chloe Sevigne’s short “Kitty: The Movie.” They helped Stewart to develop her rough outline, in which she described an image of a giant wave “getting bigger and bigger” that “never breaks.” Stewart already knew just the Australian underwater photographer to shoot it. Indeed, the film’s opening shot is a stunner.

The actress has been wanting to make movies since she was 10 years old, watching her show-business parents put in 16-hour days. Actress-director Jodie Foster, her co-star in David Fincher’s “Panic Room,” was surprised it took Stewart so long to take the directing helm. “You seemed like someone who wants to make something,” she told her recently.

Indeed she did. Stewart rallied her crew and cast (led by rookie Josh Kaye) around her pearl of an idea for an experimental, impressionistic essay on fear and water. They moved from asking her what she needed to becoming enthusiastic collaborators. “I’m a control freak,” she said. “I hate something I can’t wrestle down.” But on set, she got a kick out of watching her team get excited. “I saw them switch on,” she said. “I planted that seed!”

She was afraid that filming might present a question that she did not know how to answer. “I never ran into that wall,” she said. “It informed itself every day. It was like excavating this pearl and everyone could see it. I knew where we were going to be at any given moment.”

Like her Cannes sisters Jessica Chastain, Nicole Kidman, and Isabelle Huppert, Stewart enthusiastically supports encouraging more women directors like Kelly Reichardt (“Certain Women”). “Nobody can tell the stories she tells,” said Stewart.

And she’d rather talk about her films than many of the silly questions that come her way. “Anything that takes focus away from the work is usually media and money,” she said.

While Stewart is developing material for herself to direct, she has no interest in taking on the arduous job of producing; she’d rather let someone else help her to realize her goals as a director and actress.

Since Stewart debuted Come Swim at Sundance, she has already directed a Chvrches music video, and wants to turn political for a short about gun control. As an actress, she’s wrapped indie biopic “Lizzie,” in which she stars as 19th-century murderess Lizzie Borden; action feature “Underwater” (Twentieth Century Fox); and is now prepping her role as Savannah Knoop in Justin Kelly’s movie about the infamous fictional persona JT Leroy, opposite Laura Dern as writer and con artist Laura Albert.

At a Cinema Francais dinner, I asked Juliette Binoche if she’d like to join Stewart on another Assayas film. “Of course!” she replied. Stewart says they just have to wait to see what Assayas dreams up for them.

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Source : Ann Thompson IndieWire

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Videos: Interview of Kristen with the Associated Press for ‘Come Swim’ at Cannes 2017

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Kristen’s Interview with ‘Women in Hollywood’ in Cannes #ComeSwim

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Kristen Stewart is crafting a great career for herself. She shot to international stardom in “Twilight,” but it’s what she’s done after the vampire romance franchise that really makes her stand out. Instead of gravitating towards blockbusters or Oscar bait, she’s signed on to interesting indie projects and delivered standout performances in films like Kelly Reichardt’s “Certain Women” and Oliver Assayas’s “Personal Shopper” and “The Clouds of Sils Maria.” And now she’s getting into directing. She’s at Cannes screening her new short, “Come Swim.”

I spoke with Stewart about when she decided to step behind the camera, what she looks for in a project, and why she thinks directing should never be about correcting.

“Come Swim” made its world premiere at Sundance in January and debuted at Cannes May 20.

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Master Post : “Come Swim” Special Screening at Cannes Film Festival : May 20,2017

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“Come Swim” Special Screening at Cannes Film Festival : May 20,2017

‘Come Swim’ ภาพยนตร์สั้นเรื่องแรกของผู้กำกับ Kristen Stewart เปิดตัวฉายที่ Cannes

ในช่วง ฉลอง 70 ปีของเทศกาลภาพยนตร์ Cannes Film Festival

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ผู้กำกับ Kristen Stewart บินข้ามทวีปตรงมาจากกองถ่าย Underwater ที่ New Orleans  (เหมือน Cannes 2014 บินมา 2 วันระหว่างถ่ายทำ American Ultraที่ NOLA เช่นเดียวกัน) งานนี้ เล็บไม่ได้แต่งไม่ได้ทา ผิวสีแทนทั้งตัวเพราะโดนแดดทุกวัน จบงานนี้ วันรุ่งขึ้น (21)  ก็กลับไปทำงานต่อที่ New Orleans  และปิดกล้องลงในวันที่ 27 พ.ค.

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/ผู้กำกับ Kristen Stewart พร้อมกับโปรดิวเวอร์ David Shapiro  นักแสดงนำ Josh Kaye, Sydney Lopez

และ Editor/Director Jacob Schulsinger บนพรมแดง Cannes Film Festival

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“เชื่อไหมว่า ฉันคิดว่า ฉันชอบการเดินพรมแดงที่ Cannes ที่สุดในโลก มันมีอะไรบางอย่างดีๆ ที่น่ารักมากๆ คือ ไม่มีใครมาคอยตะโกนถามคุณว่า “วันนี้คุณสวมชุดอะไร ของใคร?” ไม่มีใครบอกให้คุณคอนหมุนตัวทางโน้นทางนี้ คุณก็แค่เดินไปตามพรมแดงแค่นั้นเอง และเมื่อคุณมีหนังมาฉายโชว์ที่นี่ คุณก็จะเป็นคนสุดท้ายที่ยืนอยู่บนพรมแดง เพื่อนๆ นักแสดงทีมงานทุกคนคล้องแขนเดินขึ้นบันไดไปพร้อมๆ กัน .. นั่นคือการให้เกียรติกันจริงๆ ในวงการภาพยนตร์ที่นี่ มันคือความชื่นชมยินดี และ มันเป็นความรู้สึกที่ดีจริงๆ” : Kristen Stewart

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ผู้กำกับ Kristen Stewart และ Josh Kaye นักแสดงนำ “Come Swim”

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“Kristen Stewart กลับมาเยือนอีกครั้งในปีนี้ เพิ่มความร้อนแรงบนขั้นบันได Cannes ในฐานะผู้กำกับหนังสั้น “Come Swim” .. เธอคือ ‘ดารา’ … Kristen Stewart returns this year set fire to the steps as the director of a short film ‘Come Swim’,  She’s a star” : Thierry Frémaux  President of Cannes Film Festival

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“สาวน้อยคนนี้สามารถทำได้ทุกอย่าง ทำทุกอย่างให้มันเกิดขึ้นได้ เหมาะสมแล้วที่ฝรั่งเศสมอบรางวัล Cesar ให้กับเธอThis girl can do everything, everything incarnate. The French were right to give her a Cesar.” :  Thierry Frémaux  

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“จะด้วยมุมมองใด เธอก็เป็น Queen of Cannes.” : Thierry Frémaux

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Interview of Kristen with Golden Globe HFPA at Cannes 2017

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Kristen Stewart is in Cannes making her directorial debut with her short film ‘Come Swim.’  Stewart, 27, is not new to Cannes – she was here as an actress with Twilight and Café Society and again last year in Personal Shopper –  but this is the first time she’s here as a director and screenwriter.

Come Swim is inspired by a series of paintings and poems that she herself developed over the course of four years – as she told members of the HFPA at the Cannes Chanel suite, for which she’s a model and testimonial. She was transfixed by the image of a man sleeping at the bottom of the ocean, an image which she had found “disconcerting” and which inspired, in many different variations, most of the poems she has written and the sketches she painted over the last four years. The film, which Kristen hopes to eventually expand to a longer version, follows the story of a thirty-something man (Josh Kaye), caught in various states of pain, depression and despair. He drinks water endlessly, and yet cannot calm his thirst. He’s over-saturated, finally sinking to the bottom of the ocean, while a female voice (whispered by Stewart herself) repeats the same things, while dryness and extreme wetness blend.

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Video : Behind The Scene of Kristen with CHANEL in Cannes 2017

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Source : Chanel

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